Rabu, 04 April 2012

teaching culture


Teaching Culture: Beyond Language



The goal of this unit is to demonstrate to foreign language teachers how they can incorporate the teaching of culture into their foreign language classrooms. In this curriculum unit, I will define the different types of culture; demonstrate its relevance to second language learning; and give suggestions as to when and how both formal and deep cultures can be incorporated into the already existing curriculum of a beginning language course. Although this unit is intended for use in my introductory French and Spanish classes, parts of the unit are interdisciplinary.
Of what value is culture to second language learning? For the foreign language teacher, the reasons are many. Culture shapes our view of the world. And language is the most representative element in any culture. Any item of behavior, tradition or pattern can only be understood in light of its meaning to the people who practice it. A knowledge of the codes of behavior of another people is important if today�s foreign language student is to communicate fully in the target language. Without the study of culture, foreign language instruction is inaccurate and incomplete. For foreign language students, language study seems senseless if they know nothing about the people who speak it or the country in which it is spoken. Language learning should be more than the manipulation of syntax and lexicon.
Humanistically, the study of different cultures aids us in getting to know different people which is a necessary prelude to understanding and respecting other peoples and their ways of life. It helps to open our students� eyes to the similarities and differences in the life of various cultural groups. Today, most of our students live in a monolingual and monocultural environment. Consequently, they become culture-bound individuals who tend to make premature and inappropriate value judgments. This can cause them to consider the foreign peoples whose language they are trying to learn as very peculiar and even ill-mannered. In 1980, the President�s Commission on Foreign Language and International Studies stated, �Foreign language instruction at any level should be a humanistic pursuit intended to sensitize students to other cultures, to the relativity of values, to appreciation of similarities among peoples and respect for the differences among them.� (Wilkes, p. 107)
When should the study of culture begin? Should culture be postponed until students can study it in the target language? Won�t special emphasis upon culture be wasteful of precious class time? Shouldn�t cultural materials be postponed until students have greater maturity and greater language competence? Ideally, the study of culture should begin on the very first day of class and should continue every day there after. Because of the large decrease in enrollment in second and third year language courses, the concept of culture can be communicated to only a small number of students unless this is done in the earliest phases of their instruction.
What type of culture should be taught in the foreign language classroom? Nelson Brooks has identified five meanings of culture: growth; refinement; fine arts; patterns of living; and a total way of life. He believes that patterns of living should receive the major emphasis in the classroom. It is patterns of living that are the least understood, yet the most important in the early phases of language instruction. He labels this meaning of culture as culture 4 and defines it as follows:
�Culture 4 (patterns of living) refers to the individual�s role in the unending kaleidoscope of life situations of every kind and the rules and models for attitude and conduct in them. By reference to these models, every human being, from infancy onward, justifies the world to himself as best he can, associates with those around him, and relates to the social order to which he is attached.� (Brooks, p. 210).
From the point of view of language instruction, culture 4 can be divided into formal culture and deep culture. Formal culture, sometimes referred to as �culture with a capital C�, includes the humanistic manifestations and contributions of a foreign culture: art; music; literature; architecture; technology; politics. However, with this way of looking at culture, we often lose sight of the individual.
The most profitable way of looking at culture is to see what it does. Deep culture, or �culture with a small c,� focuses on the behavioral patterns or lifestyles of the people: When and what they eat; how they make a living; the attitudes they express towards friends and members of their families; which expressions they use to show approval or disapproval. In this sense, culture is a body of ready-made solutions to the problems encountered by the group. It is a cushion between man and his environment. If we provide our students only with a list of facts of history or geography and a list of lexical items, we have not provided them with an intimate view of what life is really like in the target culture.

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